Solid (Loud) Matter / 2
Solid (Loud) Matter
Magnesite Norway
A Giddiness Best Left Unsaid
Moon Piercer
Slow /Dark 
Tension Sets
Accord with Air: Tjentiste
S.I.T.E: Malevich
Volitional Bus
Seeking Structural Isolation
S.I.T.E: Ljubljana
S.I.T.E: Screaming in the Everyday

Hard Hat
Sound design

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“In the pre-scientific conception of the body of the late classical and medieval periods, the body is seen as both open to and in complex interchange with manifold external influences, agencies, and energies, natural, divine, and demonic.”

Steven Connor, Dumbstruck: A Cultural History of Ventriloquism.

Volitional Bus, 2010

Volitional Bus, is a dual channel video and sound installation that uses documentation of two S.I.T.E: Screaming In The Everyday performances: one on a cliff's edge in the Blue Mountains (NSW) during extreme wind weather conditions, and the second on a median strip on Broadway, Sydney.

In each video the vocal performance is inaudible, having been replaced by a 40hz bass tone, while between each loop the screen falls black and solo vocalisations emanate from a speaker situated between the projections.

Videography: David Haines, Brent Grayburn.
Video edit: Kusum Normoyle
Sound design: Kusum Normoyle
Installation history:
Volitional Bus, ICAN: Institute of Contemporary Art Newtown (pictured)
Sound Full: Sound in Contemporary Australian and New Zealand Art, City Gallery, Wellington
Sound Full: Sound in Contemporary Australian and New Zealand Art, Dunedin Public Art Gallery