Solid (Loud) Matter / 2
Solid (Loud) Matter
Magnesite Norway
A Giddiness Best Left Unsaid
Moon Piercer
Slow /Dark 
Tension Sets
Accord with Air: Tjentiste
S.I.T.E: Malevich
Volitional Bus
Seeking Structural Isolation
S.I.T.E: Ljubljana
S.I.T.E: Screaming in the Everyday

Hard Hat
Sound design

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“In the pre-scientific conception of the body of the late classical and medieval periods, the body is seen as both open to and in complex interchange with manifold external influences, agencies, and energies, natural, divine, and demonic.”

Steven Connor, Dumbstruck: A Cultural History of Ventriloquism.

Solid (Loud) Matter / TarraWarra Biennial: From Will to Form, 2018

Solid (Loud) Matter, was a performance devised for Will to Form: Activated at the TarraWarra Museum of Art in 2018.
Set against the outer walls of the gallery, the artist projected her particular style of uncompromising, guttural vocal music - tuning audio feedback with her body she communes with the amplifier monolith - taking experimental music in the gallery context to new volumes.

This performance builds on Normoyle’s established practice, which disrupts the supposed quietude of the art gallery and investigates aesthetic and literal expressions of the voice and body through sound materials, noise making and their relationship to location and environment.

Will to Form: Activated, presented by TarraWarra Biennial 2018 in partnership with Melbourne International Arts Festival 2018.
Performance manager: Mikhaela Rodwell
Documentation: Hospital Hill
Images: Blue Fish Red Fish Photography
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.