Solid (Loud) Matter / 2
Solid (Loud) Matter
Magnesite Norway
A Giddiness Best Left Unsaid
Moon Piercer
Slow /Dark 
Tension Sets
Accord with Air: Tjentiste
S.I.T.E: Malevich
Volitional Bus
Seeking Structural Isolation
S.I.T.E: Ljubljana
S.I.T.E: Screaming in the Everyday

Hard Hat
Sound design

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“In the pre-scientific conception of the body of the late classical and medieval periods, the body is seen as both open to and in complex interchange with manifold external influences, agencies, and energies, natural, divine, and demonic.”

Steven Connor, Dumbstruck: A Cultural History of Ventriloquism.

A Giddiness Best Left Unsaid, 2018

An installation by Ella Barlcay for SOFT CENTRE 2018.

Performance with Kusum Normoyle (voice electronics) and Brian Fuata (voice), produced by Sam Whiteside. 550 cm diameter simming pool, looped video, electronics, water, aluminium, sound.

A Giddiness Best Left Unsaid, explores the form of information. From the hot mess of cables, cooling tanks, exhaust fans, backup diesel engines and industrial grade lead-acid batteries that make up the modern server farm, to the more ethereal spaces inhabited by lofty visions and internet sex sprites, the more we learn about the aesthetics of computing, the weirder it gets.

Images: Jordan Munns.