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Solid (Loud) Matter / 2
Solid (Loud) Matter
Magnesite Norway
A Giddiness Best Left Unsaid
Moon Piercer
Slow /Dark 
Tension Sets
Accord with Air: Tjentiste
S.I.T.E: Malevich
Volitional Bus
Vibron
Seeking Structural Isolation
S.I.T.E: Ljubljana
S.I.T.E: Screaming in the Everyday



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“In the pre-scientific conception of the body of the late classical and medieval periods, the body is seen as both open to and in complex interchange with manifold external influences, agencies, and energies, natural, divine, and demonic.”

Steven Connor, Dumbstruck: A Cultural History of Ventriloquism.
Mark




Kusum Normoyle is a musician and artist working with voice for performance, video and installation. She takes screaming, feedback, resonance and intervention and puts them to work in outdoor, gallery, experimental and dance music contexts. Her work and research is particularly focused on the relation of body, voice, acoustic feedback to audio amplification systems of scale.

Her work has been included in numerous national and international galleries and events including: Borderlands, Dark Mofo; Arts House (VIC); TarraWarra Biennial 2018: From Will to Form; This is a Voice, MAAS & The Wellcome Collection; The Substation; Bergen Kunsthall; Red Bull Music Academy; Artspace Sydney; Primavera: Young Australian Artists; Redlands Konica Minolta Art Prize; ISSUE Project Room NYC; SuperDeluxe at Artspace for the 17th Biennale of Sydney; Liquid Architecture; N.K Berlin; UrBANGUILD JPN; DOGODEK/THE EVENT: 29th Biennial of Graphic Art, Slovenia;  Dunedin Public Art Gallery; City Gallery Wellington.

She has on-going collaborative music projects with Ivan Lisyak as techno HVISKE and Peter Blamey in Hard Hat.


︎ kusum@kusumnormoyle.net
︎ artist CV
︎ professional CV

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